Thai-Contemporary Music Composition "The Charm of Thai Folk Music Across the West" for Violin and Cello

Authors

  • Sreewan Wathawathana College of Music, Bansomdejchaopraya Rajabhat University
  • Smatya Wathawathana School of Music, Princess Galyani Vadhana Institute of Music

Keywords:

violin, cello, composition, saw sam sai, saw khmer

Abstract

This creative project is born from a scholarly fascination with the convergence of traditional Thai string instruments and Western classical string instruments, particularly the violin and cello. By delving into the musical characteristics and performance techniques of the saw khmer and saw sam sai—three-stringed fiddles, we have conceived a unique composition for duo violin and cello. The primary goal is to fuse traditional Thai musical idioms with Western instrumental techniques, promoting a hybrid performance practice that is both culturally informed and pedagogically valuable. These compositions, designed as instructional materials for intermediate to advanced violin and cello students, provide a platform for the exploration of Thai and Western musical aesthetics. Moreover, this project facilitates cross-cultural dialogue between Thai and Western music traditions. It provides performers with a deeper understanding of Thai folk melodies, ornamentation, and interpretative techniques. By blending these diverse elements, the study contributes to the expansion of contemporary Thai repertoire and offers innovative pedagogical approaches for string education within both academic and professional contexts.

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Published

26-03-2026

How to Cite

Wathawathana, S., & Wathawathana, S. (2026). Thai-Contemporary Music Composition "The Charm of Thai Folk Music Across the West" for Violin and Cello. The Princess Galyani Vadhana Institute of Music International Symposium, 1(1), 62–73. Retrieved from https://conference.in.th/index.php/PGVIS/article/view/2261